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Alfred Music

Suzuki – Suzuki Cello School, Vol. 3 (International) (w/CD) – Cello Method

$19.99

Suzuki – Suzuki Cello School, Vol. 3 (Revised) (w/CD) – Cello Method

  • Publisher: Alfred
  • Composer: Shinichi Suzuki
  • Format: Softcover with CD
  • Length: 28 p.

Teach cello with the popular Suzuki Cello School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Cello School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki cello teacher to develop their potential as a musician and as a person. This Suzuki Book & CD is integral for Suzuki cello lessons. This revised edition of the Suzuki Cello School, Volume 3, features a CD with new recordings by Tsuyoshi Tsutsumi including piano accompaniments recorded with the cello part as well as piano accompaniments recorded alone. 

Contents:

  • Berceuse, Wiegenlied or Lullaby, Op. 98, No. 2 (Schubert)
  • Tonalization: The Moon over the Ruined Castle (Taki)
  • Gavotte (Lully)
  • Minuet from Sei Quintetti for Archi No. 11, Op. 11, No. 5 in E Major (Boccherini)
  • Tonalization: The Moon over the Ruined Castle (Taki)
  • Scherzo (Webster)
  • Minuet in G, Wo0 10, No. 7 for Piano (Beethoven)
  • Gavotte in C Minor, Gavotte en Rondeau from Suite in G Minor for Klavier, BWV 822 (Bach)
  • Minuet No. 3, BWV Anh. II 114/Anh. III 183/Anh. II, 115 (Bach)
  • Humoresque, Op. 101, No. 7 for Piano (Dvorák)
  • La Cinquantaine (Gabriel-Marie)
  • Allegro Moderato from Sonata I in G, BWV 1027 for Viola da Gamba (Bach)

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