{"title":"Keyboard","description":"","products":[{"product_id":"ed-klomp-organ-plus-one-communion-organ-and-instrument","title":"Original works and arrangements for church service and concert","description":"\u003cp\u003eThe series “ORGAN PLUS ONE” contains pieces which are freely-composed or based on hymn tunes, both original works as well as arrangements.\u003c\/p\u003e\n\u003cp\u003eThe editions include solo parts in C, Bb, Eb and F, which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instrument parts is in the middle register, making this series particularly appealing to non-professional church musicians and instrumentalists. \u003c\/p\u003e\n\u003cp\u003eThe hallmark of this edition – flexible instrumentation with easy playability – ensures that the pieces can easily be tackled and are fun to play for church services, musical evenings and small concerts. 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All the known sources have been subjected to a more thoroughgoing musicological analysis than ever before, making this edition supreme in ist field.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538191169,"sku":"210000005800","price":41.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/8dbadd5831a4a9613618a8ff0b687a8d.jpg?v=1586021066"},{"product_id":"jazz-conception-piano-snidero","title":"Snidero - Jazz Conception: Piano (w\/CD or AA) - Piano Method","description":"\u003cp\u003eJazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book\/CD set features 21 solo etudes based on chord changes to standards and blues. The same 21 etudes transposed and adapted for the main jazz instruments. See and hear how a well-known soloist phrases and articulates and play along with or without the soloist on the CD. \u003cbr\u003e\u003cbr\u003ePlay along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult. Use the etudes as a bridge to solos of the masters that are usually more complicated and involved. Learn melodies and lines that will give you a solid jazz vocabulary and musicality. \u003cbr\u003e\u003cbr\u003eUse the book\/CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. 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In these pieces I finally feel musical life drawn into my soul again and play once more with true devotion.\"\u003cbr\u003e\u003cbr\u003eA renewed critical evaluation of all known sources has resulted in small deviations from previous readings.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538214785,"sku":"210000017426","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/ff32e46060d240da7edb958b58202966.jpg?v=1597363251"},{"product_id":"bach-organ-works-vol-11-organ","title":"Bach - Organ Works, Vol. 11 - Organ","description":"\u003cp\u003eThis performing Urtext edition contains “free” organ pieces (i.e. not based on a chorale) and chorale partitas from various source traditions. Owing to doubts about their authenticity , they did not appear in the New Bach Edition until the end of 2003 (NBA IV\/11). 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These miniatures form a useful addition to piano lessons and offer valuable insights into the range and variety of Satie's music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eVorwort\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePreface\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProfiter de ce qu'il a des cors aux pieds pour lui prendre son cerceau\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBerceuse\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExercice\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eChoral\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSonge-Creux\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLe bain de mer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCaresse\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMéditation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSeul à la maison\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeux Rêveries Nocturnes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInstrumentation:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMenuet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSon binocle\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDanse cuirassée\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGymnopédie\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGnossienne\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSonatine bureaucratique\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\nComposer \/ Author: Clementi, Muzio\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSonatine in C major op. 36 No. 1\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eÉpilogue\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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This delay had most certainly to do with Debussy’s efforts to have Fromont transfer the rights to Pelléas et Mélisande to his new exclusive publisher Durand; in other words Fromont was to own Pour le piano only if Durand owned Pelléas .\u003cbr\u003e\u003cbr\u003eBärenreiter’s new critical scholarly edition edited by Regina Back relies on all known sources, documenting the genesis of the composition, provides a detailed Critical Commentary and enlightens with its text passages on performance practice and Debussy’s piano music.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e- State-of-the-Art Bärenreiter quality Urtext\u003cbr\u003e- Performer information on Aesthetics i.e. pedalling, tempo, articulation, dynamics\u003cbr\u003e- Critical report (Eng.) and Facsimile\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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Fortunately Ravel, although a virtuoso pianist, also wrote easier music for the instrument. Alongside famous works such as the “Pavane pour une Infante défunte”, this selection contains less well-known works and will encourage pianists to make new discoveries. The inclusion of fingering makes it a truly practical performing edition. This is a varied unusual addition to the piano teaching literature with short invaluable information on the works and a well presented music layout.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538356097,"sku":"BA06580","price":18.15,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/files\/BA06580.jpg?v=1696902584"},{"product_id":"brahms-three-intermezzi-op-117-piano","title":"Brahms, ed. Koehn – Three Intermezzi, Op. 117 – Piano","description":"\u003cp\u003eBrahms, ed. Koehn – Three Intermezzi, Op. 117 – Piano\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: Baerenreiter\u003c\/li\u003e\n\u003cli\u003eComposer: Johannes Brahms\u003c\/li\u003e\n\u003cli\u003eEditor: Christian Koehn\u003c\/li\u003e\n\u003cli\u003eFormat: Softcover\u003c\/li\u003e\n\u003cli\u003eLength: 14 p.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe piano pieces opp. 116-119 were written in 1892\/93 and are the last collections of pieces which Brahms wrote for the instrument. Particularly noteworthy is his use of the “small form” accompanied by a heightened increase in musical expression compared to his earlier works.\u003cbr\u003e\u003cbr\u003eClara Schumann, probably the secret dedicatee of the piano pieces, wrote in her diary in November 1892: \"a true source of enjoyment, everything, poetry, passion, fantasy, intimacy, full of the most marvellous sound effects [...]. In these pieces I finally feel musical life drawn into my soul again and play once more with true devotion.\"\u003cbr\u003e\u003cbr\u003eA renewed critical evaluation of all known sources has resulted in small deviations from previous readings.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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Idiomatic instrumental arrangements and the stylistic variety of the pieces guarantee instant success for both organists and instrumentalists. \u003cbr\u003e\u003cbr\u003eThe contents of the volumes correspond to the seasons of the church year:\u003cbr\u003e- Advent \/ Christmas \u003cbr\u003e- Passion \/ Easter\u003cbr\u003e- Epiphany \/ Whitsun \/ Pentecost\u003cbr\u003e- Death and Eternity \/ Funerals\u003cbr\u003e- Praise and Thanks\u003cbr\u003e- Divine Service\u003cbr\u003e- Communion\u003cbr\u003e- Special Services (baptisms \/ weddings)\u003cbr\u003e\u003cbr\u003eThe complete series will comprise eight volumes.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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Plath and Rehm – Sonata in C Major \"Facile\", KV. 545 – Piano\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: Baerenreiter\u003c\/li\u003e\n\u003cli\u003eComposer: Wolfgang Amadeus Mozart\u003c\/li\u003e\n\u003cli\u003eEditors: Wolfgang Plath and Wolfgang Rehm\u003c\/li\u003e\n\u003cli\u003eFormat: Softcover\u003c\/li\u003e\n\u003cli\u003eLength: 15 p.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor the first time an Urtext edition of Mozart’s Sonata in C major (\"Facile\") is available with tried-and-tested fingering provided by well-known pianist Matthias Kirschnereit. The edition is based on the authoritative Urtext of the New Mozart Edition along with a Foreword on the work's genesis, sources, and performance suggestions.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538400449,"sku":"BA05763","price":9.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/c272fa0313681cd3f82cca7699944ba5.jpg?v=1583756397"},{"product_id":"buxtehude-new-edition-of-the-complete-organ-works-vol-3-organ","title":"Buxtehude - New Edition of the Complete Organ Works,  Vol. 3 - Organ","description":"\u003cp\u003eThis truly reliable and comprehensive edition of Buxtehude’s organ works is based on the latest in musicological research (Set BA 8220; separate BA 8221-8223, BA 8404, BA 8405).\u003cbr\u003e\u003cbr\u003eEditions published previously were either incomplete, or editorial amendments were not identified as such.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eComposer \/ Author: Buxtehude, Dietrich\u003c\/li\u003e\n\u003cli\u003eTitle: New Edition of the Complete Organ Works, Volume 3 Freely-Composed Organ Works\u003c\/li\u003e\n\u003cli\u003eDetailed instrumentation: Organ\u003c\/li\u003e\n\u003cli\u003eVolume \/ Series: New Edition of the Complete Organ Works, Volume 3\u003c\/li\u003e\n\u003cli\u003eEditor: Albrecht, Christoph \u003c\/li\u003e\n\u003cli\u003eProduct format: Performance score(s), Anthology\u003c\/li\u003e\n\u003cli\u003eInstrumentation: Organ\u003c\/li\u003e\n\u003cli\u003eLevel of difficulty (D)\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA8223\/#\" target=\"_blank\" data-content=\"The level of difficulty (D) refers to the customary grading used in Germany:\u0026lt;br\u0026gt;1 = very easy\u0026lt;br\u0026gt;2 = easy\u0026lt;br\u0026gt;3 = of moderate difficulty\u0026lt;br\u0026gt;4 = difficult\u0026lt;br\u0026gt;5 = very difficult\u0026lt;br\u0026gt;6 = professional\" data-title=\"Level of difficulty (D)\" data-toggle=\"popover\"\u003e\u003c\/a\u003e: 4\u003c\/li\u003e\n\u003cli\u003eGrade (UK)\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA8223\/#\" target=\"_blank\" data-content=\"Grade (UK) refers to the ABRSM graded music exam syllabuses.\" data-title=\"Grade (UK)\" data-toggle=\"popover\" data-original-title=\"\"\u003e\u003c\/a\u003e: 7\u003c\/li\u003e\n\u003cli\u003ePublisher: Bärenreiter\u003c\/li\u003e\n\u003cli\u003eBinding: Paperback\u003c\/li\u003e\n\u003cli\u003ePrint run: 7th printing 2014\u003c\/li\u003e\n\u003cli\u003ePages \/ Format: IV, 84 S. - 24,0 x 30,5 cm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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Publications of music were a rarity in those days, and it stands to reason that Bach would select only pieces he found superior and representative. Originally written for a two-manual harpsichord, this music with its terrace dynamics alternating between piano and forte also reveals its full beauty when played on a modern piano where the lively interchange between the soloist and an imaginary orchestral tutti is successfully imitated.\u003cbr\u003e\u003cbr\u003eThis edition presents the Urtext of the “New Bach Edition” at the cutting edge of Bach scholarship. The fingerings have been added by Renate Kretschmar -Fischer, an internationally renowned pianist and teacher, offering valuable suggestions for study and lessons. Rounding off this volume is an informative introduction discussing the work’s genesis, source tradition as well as fingering on the modern piano.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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This later engraving has been the basis for all modern editions although no justification for the re-engraving or the resulting modifications can be traced back to Debussy.\u003c\/p\u003e\n\u003cp\u003eRegina Back’s Urtext edition clearly lays out the development of the suite, documents the various reprints and the changes to them, and she offers unique insights into the title of the suite and the individual movements.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538403201,"sku":"210000040860","price":11.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/28d9f32afe9d2194918649432fcdf6cb.jpg?v=1583756073"},{"product_id":"faure-ballade-op-19-piano","title":"Faure - Ballade for Piano Op. 19 N 56a - Piano","description":"\u003cp\u003eFaure, ed. 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Commentaries by pianists closely associated with Ravel, such as Lucian Garban, Vlado Perlemuter, Robert Casadesus and Jacques Février are also included.\u003cbr\u003e\u003cbr\u003e• Detailed trilingual preface (Fr\/Eng\/Ger) and Critical Commentary (Eng)\u003cbr\u003e• Optimum page turns\u003cbr\u003e• Includes a glossary (Fr\/Ger\/Eng)\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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Schubert’s popular “Ungarische Melodie” D 817, inspired by gypsy melodies, was composed in 1824; his “Allegretto in C minor” D 915 was written in the spring of 1827; a little later, at the latest in 1828, he also wrote his “Drei Klavierstücke” D 94, which are closely related in form to his “Moments Musicaux”.\u003cbr\u003e\u003cbr\u003eSuggestions on performance practice, optimum page turns and fingering which takes into consideration essential aspects of performance practice of Schubert’s time as well as the performance on modern concert pianos are all included in this edition.\u003cbr\u003e\u003cbr\u003e- Based on the Urtext of the “New Schubert Edition”\u003cbr\u003e- Newly engraved Urtext edition with optimum page turns\u003cbr\u003e- With fingering and information on performance practice (Ger\/Eng)\u003cbr\u003e- In-depth foreword (Ger\/Eng) and critical commentary (Eng)\u003cbr\u003e\u003cbr\u003eContents\u003cbr\u003eUngarische Melodie D 817\u003cbr\u003eAllegretto in c D 915\u003cbr\u003eDrei Klavierstücke D 946\u003cbr\u003e\u003cbr\u003eMario Aschauer\u003cbr\u003estudied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician with, among others, the Austrian “Calamus-Consort”, and has developed a wide-ranging repertoire on the fortepiano, cembalo and organ. Mario Aschauer has been a collaborator for the “New Schubert Edition” since 2008 and is a teacher at the University of Vienna. In his research, he concentrates on the historicalperformance practice of European art music of the 17th–19th centuries.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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In the search for the greatest variety of stylistic and compositional techniques, the collection shows itself to have the status of a 'musical art book'. In keeping with this, Bach had these most prestigious works printed at his own expense as Part I of the 'Clavier Übung'.\u003cbr\u003e\u003cbr\u003eThis expanded new edition takes into consideration not only the revised main text of the 'six partitas' but also, for the first time evaluates printed copies known to have been used by Bach and his closest circle and copies made by his circle of pupils. These include annotations on ornamentation and valuable hints on performance practice which are invaluable for present-day musicians. This is the first extensive edition to take all existing sources into account. The editor is the British musicologist Richard Douglas Jones, well-known for his numerous discoveries and publications on Bach.\u003cbr\u003e\u003cbr\u003eBach’s Six Partitas are also published in an edition with fingerings by the renowned Bach interpreter Ragna Schirmer.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538515393,"sku":"210000003196","price":27.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/14d3ac6b350ac22565ce7bdec77e5298.jpg?v=1609429439"},{"product_id":"satie-ogives-gymnopedies-piano","title":"Satie - Ogives Gymnopedies - Piano Solo","description":"\u003cp\u003eEditor: Jens Rosteck\u003c\/p\u003e\n\u003cp\u003eSatie‘s “Ogives” und Gymnopédies” are milestones in the history of modern music. 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Information on performance practice by Satie specialist Steffen Schleiermacher offer insight into Satie’s music aesthetics.\u003cbr\u003e\u003cbr\u003e- Urtext edition based on all sources and current scholarship\u003cbr\u003e- Easy to play\u003cbr\u003e- Ideal for teaching purposes\u003cbr\u003e- With practical suggestions for performance (Eng\/Ger)\u003cbr\u003e- With an informative foreword (Eng\/Ger) and critical commentary (Eng)\u003cbr\u003e\u003cbr\u003eJens Rosteck \u003cbr\u003eis a musicologist, cultural historian and author. He has written books on Kurt Weill and Lotte Lenya, Oscar Wilde, Bob Dylan, Jane and Paul Bowles, Hans Werner Henze, and a dissertation on Darius Milhaud’s Claudel operas. He resides in Southern France and was for many years an author for the music encyclopaedia MGG, writing on French music. \u003cbr\u003e\u003cbr\u003eSteffen Schleiermacher \u003cbr\u003estudied as “Meisterschüler” at the “Berliner Akademie der Künste” and in the class of Aloys Kontarsky at the “Musikhochschule Köln”. He runs the concert series musica nova at the “Gewandhaus Leipzig”, was a founder of the Ensemble Avantgarde and gives concerts and lectures as a composer, pianist and conductor throughout Europe, the USA, South America and Asia. He has been the recipient of scholarships (including the Villa Massimo Rome) and numerous recording prizes, and is “Chevalier des Arts et Lettres”. He has made approx. 60 CD recordings including the complete piano works by Cage and numerous piano works by Satie.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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Volume 2 further includes the Sonata in B-flat major K. 570, issued in many editions as sonata for piano and violin. Mozart himself listed this work as \"A sonata for piano alone.\"\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538565121,"sku":"210000031126","price":30.1,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/1875e47c10407710e1af4835bbd7a5bb.jpg?v=1604108666"},{"product_id":"bach-inventions-and-sinfonias-bwv-772-801-piano","title":"Bach, eds. Dadelsen and Kretschmar-Fischer – Inventions and Sinfonias, BWV 772-801 – Piano","description":"\u003cp\u003eBach, eds. 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This scholarly-critical edition based on the “New Mozart Edition” makes these works available in a revised form and includes a new foreword. \u003cbr\u003eThe publication also contains an appendix with the fragments K. 497a (Fr 1787i) and K. 500a (Fr 1791a) which are completed by Michael Töpel, as well as individual pieces for organ, mechanical organ and musical clock in transcriptions for piano duet.\u003cbr\u003eInformative forewords to the main part and the appendix together with explanatory notes on the evaluation of the sources complete this volume, which will be indispensable for both teachers and performers.\u003cbr\u003e\u003cbr\u003e- Newly engraved revised Urtext edition based on the “New Mozart Edition”, taking the latest findings into account\u003cbr\u003e- First arrangement for piano duet of Mozart’s Andante in F for musical clock K. 616\u003cbr\u003e- Lead-ins and fermata ornamentations by Michael Töpel\u003cbr\u003e- Includes detailed forewords (Ger\/Eng) and information on the evaluation of sources (Ger\/Eng)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:·\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eWorks for Piano Duet:\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eSonata in D major K. 381 (123a)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eSonata in B major K. 358 (186c)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eSonata in F major K. 497\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eAndante with Five Variations in G major K. 501\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eSonata in C major K. 521\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eAllegro in G major K. 497a (Fr 1787i)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"key-value tittimisc\"\u003e\n\u003cdiv class=\"value\"\u003eFragment\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eAndante in G major K. 500a (Fr 1791a)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"key-value tittimisc\"\u003e\n\u003cdiv class=\"value\"\u003eFragment\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eOpus Incertum. Sonata in C major K. 19d\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\u003cstrong\u003eAppendix\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003eComposer \/ Author:\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eFragments K. 497a (Fr 1787i) and K. 500a (Fr 1791a). Completed by Michael Töpel:\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eAllegro in G major K. 497a (Fr 1787i)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"key-value tittimisc\"\u003e\n\u003cdiv class=\"value\"\u003eFragment, completed by Michael Töpel\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eAndante in G major K. 500a (Fr 1791a)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"key-value tittimisc\"\u003e\n\u003cdiv class=\"value\"\u003eFragment, completed by Michael Töpel\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eMiscellaneous Works for Organ, Mechanical Organ, and Musical Clock Transcribed for Piano Duet:\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eFuga for Organ in G minor K. 401 (375e) (Fr 1772g)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"key-value tittiarrg\"\u003e\n\u003cdiv class=\"value\"\u003eTranscribed for Piano Duet\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"key-value tittimisc\"\u003e\n\u003cdiv class=\"value\"\u003eFragment, completed by Maximilian Stadler\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eAdagio and Allegro for Mechanical Organ in F minor K. 594\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"key-value tittiarrg\"\u003e\n\u003cdiv class=\"value\"\u003eTranscribed for Piano Duet\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eAllegro and Andante (Fantasia F minor) for Musical Clock K. 608\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"key-value tittiarrg\"\u003e\n\u003cdiv class=\"value\"\u003eTranscribed for Piano Duet\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"listelement\"\u003e\n\u003cdiv class=\"listcounter\"\u003e·\u003c\/div\u003e\n\u003cdiv class=\"listcontent\"\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titaucompos\"\u003e\n\u003cdiv class=\"key\"\u003eComposer \/ Author:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value tittidisplkern\"\u003e\n\u003cdiv class=\"value\"\u003eAndante for Musical Clock in F major K. 616\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"key-value tittiarrg\"\u003e\n\u003cdiv class=\"value\"\u003eTranscribed for Piano Duet by Michael Töpel\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"json\"\u003e\n\u003cdiv class=\"key-value titinstr\"\u003e\n\u003cdiv class=\"key\"\u003eInstrumentation:\u003c\/div\u003e\n\u003cdiv class=\"value\"\u003ePiano four hands\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538595393,"sku":"BA09179","price":40.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/8884d838c3f57b33f86913cfcd170dd5.jpg?v=1580150694"},{"product_id":"brahms-piano-pieces-op-119-piano","title":"Brahms, ed. Kohn – Piano Pieces, Op. 119 – Piano","description":"\u003cp\u003eBrahms, ed. Kohn – Piano Pieces, Op. 119 – Piano\u003ca href=\"https:\/\/us.merchantos.com\/?name=item.views.item\u0026amp;form_name=view\u0026amp;id=31686\u0026amp;tab=ecommerce#Hide\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: Baerenreiter\u003c\/li\u003e\n\u003cli\u003eComposer: Johannes Brahms\u003c\/li\u003e\n\u003cli\u003eEditor: Christian Kohn\u003c\/li\u003e\n\u003cli\u003eFormat: Softcover\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe piano pieces opp. 116-119 were written in 1892\/93 and are the last collections of pieces which Brahms wrote for the instrument. Particularly noteworthy is his use of the “small form” accompanied by a heightened increase in musical expression compared to his earlier works.\u003c\/p\u003e\n\u003cp\u003eClara Schumann, probably the secret dedicatee of the piano pieces, wrote in her diary in November 1892: “a true source of enjoyment, everything, poetry, passion, fantasy, intimacy, full of the most marvellous sound effects […]. In these pieces I finally feel musical life drawn into my soul again and play once more with true devotion.”\u003c\/p\u003e\n\u003cp\u003eA renewed critical evaluation of all known sources has resulted in small deviations from previous readings.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538596417,"sku":"BA09631","price":10.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/44bb8bbc7a15838409dcb782853a967d.jpg?v=1599933947"},{"product_id":"christian-wedding-collection-piano-solo","title":"Christian Wedding Collection - Piano Solo","description":null,"brand":"Hal Leonard Corporation","offers":[{"title":"Default Title","offer_id":28538596609,"sku":"210000010638","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/66b93b4c7cd5f58eaa308a6cc74375b8.jpg?v=1577756632"},{"product_id":"schumann-album-for-the-young-43-piano-pieces-op-68-piano","title":"Schumann - Album for the Young Op. 68, 43 Piano Pieces - Piano","description":"\u003cp\u003eIn 1848, after finishing an album of little piano pieces for his daughter Marie, Schumann devised the plan of compiling a “children’s album”. Since then the resultant collection of 43 pieces has enjoyed unparalleled success. Schumann’s “Album for the Young” is now presented in an Urtext edition which meets the needs of performers. In addition to the famous “Advice to Young Musicians”(in German, English and a French translation by Liszt), other pieces related to this work but left unpublished during Schumann’s lifetime can be found in the appendix. For the first time this edition also includes Clara Schumann’s original pedal markings. Clara’s fingering served Ragna Schirmer as an important point of departure for her own thoughts on fingering.\u003cbr\u003e\u003cbr\u003e• Urtext edition at the cutting edge of scholarship\u003cbr\u003e• Many additional pieces and “Advice to Young Musicians”\u003cbr\u003ein the appendix\u003cbr\u003e• Original pedal markings by Clara Schumann and fingering\u003cbr\u003eby Ragna Schirmer\u003cbr\u003e• Detailed Foreword (Ger\/Eng) and detailed Critical Commentary (Eng)\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538614145,"sku":"BA09641","price":19.45,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/588a082c85a8a21c90d0bb3d7dc6b03a.jpg?v=1577757708"},{"product_id":"handel-keyboard-works-volume-1-hwv-426-433-piano","title":"Handel, ed. Steglich – Keyboard Works I (The Eight Great Suites) – Piano","description":"\u003cp\u003eHandel, ed. Steglich – Keyboard Works I (The Eight Great Suites) – Piano\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: Baerenreiter\u003c\/li\u003e\n\u003cli\u003eComposer: George Friedrich Handel\u003c\/li\u003e\n\u003cli\u003eEditor: Rudolf Steglich\u003c\/li\u003e\n\u003cli\u003eFormat: Softcover\u003c\/li\u003e\n\u003cli\u003eLength: 113 p.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThroughout his life Handel was famous as a brilliant performer on keyboard instruments, and he began composing for them in his youth: his early training under Zachow included the study of the most important 17th-century German composers for the keyboard, and their influence can be seen in the harpsichord music which he had written by the time he left Hamburg for Italy in 1706. He seems to have taken it up again only after he settled in England in 1712, and during the next few years he wrote a large number of harpsichord works, with a peak about 1717, when he was becoming involved with the music at Cannons.\u003c\/p\u003e\n\u003cp\u003eApparently Handel was in no hurry to publish these compositions, and manuscript copies were made for friends and patrons. The primary source for our text is the third impression of the Cluer edition. As well as the Walsh, le Cène and Leclerc editions there are important manuscript sources, including some autographs, which give much additional information concerning the text.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538642753,"sku":"210000023466","price":26.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/26b6a5766648153775869fb791fe5013.jpg?v=1618365589"},{"product_id":"schumann-scenes-from-childhood-op-15-piano","title":"Schumann, ed. Stuwe – Scenes from Childhood, Op. 15 – Piano","description":"\u003cp\u003eSchumann, ed. Stuwe – Scenes from Childhood, Op. 15 – Piano\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: Baerenreiter\u003c\/li\u003e\n\u003cli\u003eComposer: Robert Schumann\u003c\/li\u003e\n\u003cli\u003eEditor: Holger M. Stüwe\u003c\/li\u003e\n\u003cli\u003eFormat: Softcover\u003c\/li\u003e\n\u003cli\u003eLength: 20 p.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSchumann’s \"Forest Scenes\" op. 82 date from the years 1848\/49. This was the composer’s most creative period but one which was marked by revolutionary unrest and political uncertainty. As well as choral compositions and major dramatic works including the opera \"Genoveva\" and \"Manfred\" Schumann created the intimate piano cycle Forest Scenes, inspired by illustrations of the same theme. The last to be written was the wistful-filigree \"Vogel als Prophet\" (no. 7), probably the best-known piece in the cycle. The pieces of moderate technical difficulty are enchanting in their song-like poetry, and are a jewel of domestic music-making from the Romantic period.\u003c\/p\u003e\n\u003cp\u003eIn spring 1838 Schumann composed \"30 short, sweet things\", as he called them in a letter to his fiancée Clara Wieck. He originally composed these under the title \"Kindergeschichten\" and intended them as a supplement to the \"Noveletten\" op. 21, also composed in 1838. From these piano miniatures he chose twelve pieces. At the beginning of the following year, now expanded with a thirteenth piece, they were published as \"Scenes from Childhood\" by Breitkopf \u0026amp; Härtel in Leipzig. The collection centred on Träumerei which is the seventh and the most famous piece in the collection.\u003c\/p\u003e\n\u003cp\u003eThe significance of the cycle was completely misjudged by the critic Ludwig Rellstab but it was enthusiastically received by Liszt. He wrote to Schumann in June 1839 that he was frequently playing \"Scenes from Childhood\" to his then three-and-a-half year old daughter Blandine with enthusiasm, but particularly to himself.\u003c\/p\u003e\n\u003cp\u003e\"Scenes from Childhood\" op. 15 (BA 9639) and \"Forest Scenes\" op. 82 (BA 9640) are being published in scholarly-critical Urtext editions, reflecting the latest state of research. These are two of Schumann’s most popular piano cycles which are highly ranked in Romantic piano literature. The fingering takes contemporary performing practise as well as playing on the modern concert grand piano into consideration.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538642881,"sku":"BA09639","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/587f0b8f29cb7f433cd753bfd4c006be.jpg?v=1577756749"},{"product_id":"three-centuries-of-piano-music-early-intermediate-piano","title":"Walters, arr. - Three Centuries of Piano Music: 18th, 19th, and 20th Centuries - Early Intermediate Piano Solo","description":"\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThree Centuries of Piano Music: 18th, 19th \u0026amp; 20th Centuries\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003c\/strong\u003eEarly Intermediate Level Schirmer Performance Editions\u003c\/li\u003e\n\u003cli\u003eSeries: \u003ca href=\"https:\/\/www.halleonard.com\/search\/search.action?seriesfeature=GSPERF\" target=\"_blank\"\u003eSchirmer Performance Editions\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.halleonard.com\/search\/search.action?seriesfeature=GSPERF\" target=\"_blank\"\u003e\u003c\/a\u003ePublisher: G. Schirmer, Inc.\u003c\/li\u003e\n\u003cli\u003eFormat: Softcover\u003c\/li\u003e\n\u003cli\u003eComposer: Various\u003c\/li\u003e\n\u003cli\u003eEditor: Richard Walters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e Anonymous: Minuet in G Major, BWV Appendix 116; Musette in D Major, BWV App. 126; Minuet in D minor, BWV App. 132 • Antheil: Sad from \u003cem\u003eLa femme 100 têtes\u003c\/em\u003e • CPE Bach: March in D Major, BWV App. 122 • Bartók: Selections from \u003cem\u003eFor Children\u003c\/em\u003e; Selections from \u003cem\u003eTen Easy Pieces\u003c\/em\u003e • Beethoven: Ecossaise in E-flat Major, WoO 86; German Dance in C Major, WoO 8, No. 1; Sonatina in G Major, Anh. 5, No. 1 • Benda: Sonatina No. 10 in F Major • Berens: Piece in C Major from \u003cem\u003eFifty Piano Pieces for Beginners\u003c\/em\u003e, Op. 70 • Beyer: Piece in G Major from \u003cem\u003eElementary Instruction Book\u003c\/em\u003e, Op. 101 • Burgmüller: Selections from \u003cem\u003e25 Progressive Studies\u003c\/em\u003e, Op. 100 • Clementi: Sonatina in C Major, Op. 36, No. 1 • Couperin: Benevolent Cuckoos Under Yellow Dominos from; Berceuse from \u003cem\u003ePièces de clavecin\u003c\/em\u003e • Creston: Toy Dance from \u003cem\u003eFive Little Dances\u003c\/em\u003e, Op. 24 • Czerny: Study in C Major from \u003cem\u003e100 Progressive Studies\u003c\/em\u003e, Op. 139; Study in C Major from \u003cem\u003eThe Little Pianist\u003c\/em\u003e, Op. 823 • Daquin: The Cuckoo • Duncombe: Sonatina in C Major • Duvernoy: Study in A Major, Op. 176 • Ellmenreich: Spinning Song • Gould: Birthday Bells from \u003cem\u003eAt the Piano\u003c\/em\u003e • Gurlitt: Selections from \u003cem\u003eAlbumleaves for the Young\u003c\/em\u003e, Op. 101 • Handel: Impertinence (Bourrée), HWV494; Minuet in F Major; Rigaudon in G Major; Sarabande from Suite in D minor, HWV 437 • Haydn: Arietta from Variations in E-flat Major, Hob. XVII\/3; Country Dance in C Major • Heller: Berceuse, Op. 47; Scampering, Op. 47 • Hovhaness: Moon Dance from \u003cem\u003eMountain Idylls\u003c\/em\u003e, Op. 119 • Kabalevsky: Selections from \u003cem\u003e30 Pieces for Children\u003c\/em\u003e, Op. 27; Selections from \u003cem\u003e24 Pieces for Children\u003c\/em\u003e, Op.39; Selections from \u003cem\u003e35 Easy Pieces\u003c\/em\u003e, Op. 89 • Khachaturian: Bedtime Story from \u003cem\u003eTen Pieces for the Young Pianist\u003c\/em\u003e; Ivan Can't Go Out Today from \u003cem\u003eAdventures of Ivan\u003c\/em\u003e • Kullak: The Clock from \u003cem\u003eScenes from Childhood\u003c\/em\u003e, Op. 62 • Kunz: Canon in F Major from 200 Short \u003cem\u003eTwo-Part Canons\u003c\/em\u003e, Op. 14 • Mozart: Allegro in F Major, KV 1c; Minuet in G Major, KV 1e\/1f; Minuet in F Major, KV 2; Allegro in B-flat Major, KV 3 • Muczynski: Diversion No. 1 from \u003cem\u003eDiversions\u003c\/em\u003e, Op. 23; Fables Nos. 1-5 from \u003cem\u003eFables\u003c\/em\u003e, Op. 21 • Oesten: Spanish Dance from \u003cem\u003eMayflowers\u003c\/em\u003e, Op. 61 • Petzold: Minuet in GMajor, BWV Appendix 114; Minuet in G minor, BWV Appendix 115 • Pinto: Little March from \u003cem\u003eChildren's Festival\u003c\/em\u003e; Serenade from \u003cem\u003eChildren's Festival\u003c\/em\u003e • Pleyel: Sonatina No. 3 in F Major • Reinecke: Sonatina No. 3 in F Major • Reinecke: Sonatina in G Major, Op. 136, No. 2 • A Scarlatti: Aria in D minor • D Scarlatti: Minuet from Sonata in C Major, L. 217 • Schumann: Selections from \u003cem\u003eAlbum for the Young\u003c\/em\u003e, Op. 68 • Shostakovich: The Mechanical Doll from \u003cem\u003eChildren's Notebook for Piano\u003c\/em\u003e, Op. 69 • Streabbog: By the Seaside from, Op. 63 • Tchaikovsky: Selections from \u003cem\u003eAlbum for the Young\u003c\/em\u003e, Op. 39 • Telemann: Minuet from Suite in G Major, TWV 32:13 • Türk: Little Rondo\u003c\/p\u003e","brand":"Hal Leonard Corporation","offers":[{"title":"Default Title","offer_id":28538649409,"sku":"210000050501","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/7c75747c426cb08c444dc5aa000f0a9e.jpg?v=1577764925"},{"product_id":"bach-notebook-for-wilhelm-friedemann-bach-piano","title":"Bach – Notebook for Wildhelm Friedemann Bach – Piano","description":"\u003cp\u003eBach – Notebook for Wildhelm Friedemann Bach – Piano\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: Baerenreiter\u003c\/li\u003e\n\u003cli\u003eComposer: Johann Sebastian Bach\u003c\/li\u003e\n\u003cli\u003eEditor: Wolfgang Plath\u003c\/li\u003e\n\u003cli\u003eFormat: Softcover\u003c\/li\u003e\n\u003cli\u003eLength: 119 p.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe \"Notebook for Wilhelm Friedemann\" is a compilation of pieces for keyboard instrument by Johann Sebastian Bach for his eldest son, Wilhelm Friedemann. Among the pieces are earlier versions that later became part of the collections “The Well-Tempered Clavier” and “Inventions and Sinfonias\" as well as individual compositions.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538658945,"sku":"210000023572","price":25.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/533496dae25720447b9747effb077d2e.jpg?v=1577756852"},{"product_id":"satie-morceaux-en-forme-poire-piano-4-hands","title":"Satie - Morceaux en Forme de Poire - Piano, 4 Hands","description":"\u003cp\u003eEditor:  Jens Rosteck\u003c\/p\u003e\n\u003cp\u003eIn 1903, Satie composed his famous cycle for piano duet with the provocative and ambiguous title “3 Morceaux en forme de Poire”. (In French, “poire” means “pear” but also “dimwit”). It is a detached and ironic commentary on the constraints of musical form.\u003cbr\u003eNow this cycle is being published in a scholarly-critical Urtext edition for the first time. Convenient page turns, a score format, translations of the French expression and tempo markings, Satie’s enigmatic introduction, performance suggestions by the Satie specialist Steffen Schleiermacher and a detailed foreword by the renowned musicologist Jens Rosteck make the study and performance of these pieces a true pleasure.\u003cbr\u003e\u003cbr\u003e• First scholarly-critical Urtext edition\u003cbr\u003e• Of an easy to moderate level of difficulty\u003cbr\u003e• Includes translations of all expression and tempo markings (Fr\/Ger\/Eng)\u003cbr\u003e• Detailed foreword (Ger\/Eng) and Critical Commentary (Eng)\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. KG","offers":[{"title":"Default Title","offer_id":28538659073,"sku":"210000027300","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1319\/7643\/products\/828e8b19f3e9a9ade09cdd0004bf08ff.jpg?v=1577757930"},{"product_id":"chabrier-habanera-piano","title":"Chabrier, ed. Schilling-Wang – Habanera – Piano","description":"\u003cp\u003eChabrier, ed. Schilling-Wang – Habanera – Piano\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublisher: Baerenreiter Urtext\u003c\/li\u003e\n\u003cli\u003eComposer: Emmanuel Chabrier\u003c\/li\u003e\n\u003cli\u003eEditor: Britta Schilling-Wang\u003c\/li\u003e\n\u003cli\u003eFormat: Softcover\u003c\/li\u003e\n\u003cli\u003eLength: 10 p.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChabrier was heralded by the young generation of composers in France, particularly by Debussy, Ravel and Poulenc, as the founder of the French Modern. He achieved resounding success with his orchestra rhapsody “España” upon returning from his trip to Spain. Riding on this success, he composed the „Habanera“ in 1885 which was met with equal enthusiasm. The piece was soon circulated in various arrangements. Chabrier himself transcribed the piece for orchestra in 1889. \u003cbr\u003e\u003cbr\u003eBärenreiter is publishing the original version for piano for the first time in a scholarly-critical urtext edition offering the musical text newly engraved and editorially prepared on the basis of all availabe sources with extensive Critical Commentary. This striking piece is ideal for teaching purposes and includes fingering by Tamara Stefanovich as well as a well-presented layout with optimum page turns.\u003cbr\u003e\u003cbr\u003e- First scholarly-critical Urtext edition\u003cbr\u003e- Ideal for teaching\u003cbr\u003e- Informative foreword (Eng\/Ger) and critical commentary (Eng)\u003cbr\u003e- With fingering and optimum page turns\u003cbr\u003e\u003cbr\u003eTamara Stefanovich studied at the University of Belgrade, at the Curtis Institute of Music and at the “Hochschule für Musik und Tanz” in Cologne. Working alongside conductors such as Esa-Pekka Salonen, Pierre Boulez and Vladimir Jurowski, she has performed with the Cleveland Orchestra, Chicago Symphony Orchestra and London Philharmonic Orchestra. For Bärenreiter she has already prepared fingering for the Urtext edition of Claude Debussy’s “Images” (“1re série”: BA 10821, “2e série”: BA 10822).\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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After the piano cycle “In the Mists” – which might be described as the composer’s intimate confession of his spiritual state – and the sonata “1.X.1905”, the Bärenreiter Urtext series, in coproduction with Editio Bärenreiter Praha , is publishing what is possibly Janacek’s most popular piano work, the cycle of commemorative miniatures “On an Overgrown Path”.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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In all likelihood the three-voice Ricercar reproduces this improvisation in polished form. The six-voice Ricercar was supplied later in response to the king’s request for a „fugue in six obligato parts“ as Bach only felt capable of improvising such a fugue on a subject of his own choice. This new edition of the two ricercars from The Musical Offering has been revised and enlarged on the basis of the latest Bach scholarship. It contains not only the printed version of the six-voice Ricercar but the autograph version as well. Rounding off the volume are a complete facsimile reproduction of the manuscript, facismiles of Bach’s dedication in the printed edition, and a preface discussing the work’s origins and performance. This definitive volume was edited by the internationally renowned musicologist Christoph Wolff, currently professor at Harvard and world-famous for his many Bach discoveries and insights.\u003c\/p\u003e","brand":"Baerenreiter-Verlag Karl Voetterle GmbH \u0026 Co. 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